We have compiled a list of the TOP50 questions that we hear on our
workshops. From gear, to settings, to composition, and shooting styles, we have
decided to post three questions and answers a week till we get through them
all.
We hope they answer some of the questions that you may have. Here is
todays question.
Question: How do I do show some motion in my photos when an animal is
moving?
Answer: This would be referred to as panning and it is what I would
call a trial and error exercise. But here are some tips to help you the next
time you are out taking photos of moving subjects.
The skill of panning photography is going to take every ounce of
patience you have. Almost every person I have talked to about this type of
photography has told me that it wasn’t until they saw that “one cool photo”
that they had their “AHA!” moment. I was 13 when I stumbled upon this. Yes,
stumbled−sometimes ignorance is bliss−and as a 13-year-old trying to freeze
images with high shutter speeds, my lack of knowledge produced an image that
gave me some ideas.
Back then our family had a miniature poodle named Brandy. He was a bolt
of white lightning when he ran out the backyard. One afternoon I was trying to
freeze the dog’s motion for photography class with little success. After a roll
of film and a tired dog that was fed up with my Milk-Bone bribery, I discovered
that I could freeze part the dog yet have the background blurred.
This latchkey kid would now have a couple hours each day to work on
getting this image perfected before mom and dad came home. Dozens of film
rolls, a couple boxes of dog treats, and a few extra pounds on Brandy later, I
got the shot…a dog, head and body in focus, legs a little blurred, mid stride,
hovering over the blurred ground…“AHA!”
From my personal trials and tribulations, and yes a few curse words
uttered under my breath, here are a few tips I put together to hopefully take
your keepers from one out of five hundred to one out of one hundred.
Understand the Basic Concept. Panning works when you move the camera in
perfect synergy with the subject. It’s not enough to just swing the camera from
side to side. You have to move it in perfect synch with your subject.
Choose the Right Subject. Generally it is easier to pan with a
fast-moving subject than a slow one. Sprinters running in a straight line are
moving fast enough that you can pan smoothly with their motion. People walking
are almost impossible; they are too slow to get much blur and it’s difficult to
pan smoothly. Football players are tough because they move erratically. And
running dogs, well, they are perfect because they just want to please…
Use Manual Exposure or Shutter Priority Metering. Whichever you choose,
the object is the same. You don’t want the shutter speed to change while you
are shooting.
Focus Tracking. It’s very important that all or part of your subject is
in focus. You might like to switch focus to AI Servo mode (in Canons) or AF-C
mode (in Nikons). In this mode, hold down your shutter half way to lock focus
on your subject and start following your subject with your camera at the same
speed. You can take several shots at once…the number of photos is dependent on
your camera.
Find the Right Background. The background must have some detail in
order to produce the pleasing streaks you will want. That is why the jet is a
bad subject for panning when it is up against a plain blue sky. Nothing will
look as if it “moved.” On the other hand, be aware that just one person in a
white T-shirt can create an unsightly white blob in your photograph.
Pick a Good Shutter Speed. This is important. The longer the shutter
speed, the higher the probability the image you wanted in focus will blur. It
becomes a balancing act. As a starting point, let’s go back to the example of
the sprinters running across the picture. Try anything between 1/8 of a second
and 1/60 of a second. Beyond 1/8 of a second it’s really tough to get sharp.
Above 1/60 of a second, the camera will probably stop too much action and ruin
the effect. Except for faster moving objects like flying birds or jets. For
that you might need 1/250 of a second for a bird and 1/500 of a second for the
jet, and that brings us to our next problem.
Practice Panning Smoothly. A fluid, smooth motion is the name of the
game. No jerking, no rushing and done without hesitation. Start clicking the
shutter before your subjects reaches the ideal point and then keep shooting
after they pass that point. Good follow through is imperative. The best panning
shooters literally go out and just practice the movement.
Use the Viewfinder. Your viewfinder is your friend when it comes to
panning. The best tip I can give you is to set the viewfinder to show
crosshairs, then focus on the intersecting line of the crosshairs and follow
the subject in the viewfinder. You will eat more batteries doing it this way,
but it does help with the success ratio.
Try. Evaluate. Retry. Experiment! There is no right or wrong way to
produce the desired results…set rules do not apply. But try it, have fun with
it, experiment with camera motion.
Final words on “Panning Photography.” Things do not always have to be
totally in focus. This type of photography, in addition to showing motion of an
object, can be extremely artistic. If the intent is to produce an image of just
motion through camera movement, please note that it can be referred to as
motion blur photography.
Technically you shouldn’t be able to have motion in a still photograph.
This is a two dimensional form of art. But the act of panning will force a
person to look at the image more closely, and they will until they come to
realize: “That’s not a blurry picture; that’s a young boy taking a photo of the
running dog he loves in the backyard. That’s cute!” After you try the
technique, I hope I gave you your AHA! Moment. Now go out, try this, and
remember to “pay it forward” so the next person can have their AHA! Moment too.
Thanks for reading,
Northof49Photography
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